This is Foo-Chan, the Japanese equivalent of Grumpy Cat. But instead of being grumpy, he just looks like he’s disappointed all of the time.
if you sneeze in a jaeger does your partner sneeze with you since you’re linked? does the whole jaeger sneeze along too or is it programmed not to? have jaeger pilots ever sneezed and accidentally ended up activating one of their weapons?
this is what keeps me up at night
how the hell do i talk to people
Stand in front of them and press A
Reading a stranger’s diary from the 1970s
peggy sounds fun
Open to all trans, genderqueer, and/or nonbinary Smithies + all trans women who attend schools in the Pioneer Valley
Please signal boost so that we can get a good turnout!
An actual headline from The New York Times in 1919
I love this so much.
THIS WILL BE SUCH A LONG MARATHON AND I AM SO READY
That’s prob about 12 hours
extended lotr alone is 11 hours and 22 minutes.
to watch the extended versions of both the hobbit and lord of the rings it would take roughly 20 hours i can’t wait
yassine rahal as james potter
in inquisition i actually want to see my inquisitors break
i want to hear their voices as they scream “I CAN’T DO THAT! STOP SAYING THAT! I’M NOT CAPABLE TO DO IT! I NEVER WANTED TO!”
i want them to loose control of themselves
im a fucking monster
oKAY TO EVERYONE WHO ACTUALLY SAW THIS POST
BUT I REGRET NOTHING
Their LI saying how could you. Having to grab them by the shoulders and shake them when they snap and start babbling that I had to make a choice, there wasn’t time, I’m sorry.
Paragon inquisitors breaking down. Renegade inquisitors lashing out violently. Snarky inquisitors going very, very quiet, the usual smile fracturing.
Oh hell yes I’m looking forward to it.
Brooklyn-based artist Alyssa Monks is a figurative painter, blurring the line between abstraction and realism. “Using filters such as glass, vinyl, water, and steam, I distort the body in shallow painted spaces. These filters allow for large areas of abstract design - islands of color with activated surfaces - while bits of the human form peek through. In a contemporary take on the traditional bathing women, my subjects are pushing against the glass “window”, distorting their own body, aware of and commanding the proverbial male gaze. Thick paint strokes in delicate color relationships are pushed and pulled to imitate glass, steam, water and flesh from a distance. However, up close, the delicious physical properties of oil paint are apparent. Thus sustaining the moment when abstract paint strokes become something else. When I began painting the human body, I was obsessed with it and needed to create as much realism as possible. I chased realism until it began to unravel and deconstruct itself, I am exploring the possibility and potential where representational painting and abstraction meet - if both can coexist in the same moment.” Monks’s paintings have been the subject of numerous solo and group exhibitions, and her work is represented in public and private collections.
© All images courtesy of the artist